Gia’s weight loss has been more widely discussed on social media than in the movies.
The director, who rose to fame as a comedian, recorded box office revenue of 1.6 billion yuan (US$220 million) in the first four days of the film’s release. The film is rated 8/10 on his Douban, the most famous movie review site in the country, with over 140,000 reviews on his.
Social media is dominated by positive comments supporting Jia’s weight loss, with some netizens even saying that she was encouraged to go to the gym.
After watching the movie, Eva, a junior high school teacher in Shanghai, told South China Morning, “This movie gave me courage.I started a group chat with my friends on WeChat, and I was thinking about exercising and losing weight.” told the Post.
“Jia Lin’s new look after weight loss is Baiyousho, but there is strength and muscle. This is really moving because she doesn’t try to conform to her patriarchal aesthetic,” said the woman, who is in her late 30s. Ume Yosho A Chinese social media term that refers to “white skin, a childlike youthful appearance, and a slim figure,” and describes the country’s mainstream female beauty standards, which are said to be set by men.
Some critics wonder if the film causes body anxiety or say it downplays the difficulty of losing weight.
“I’m not going to use Jia Lin as a role model to encourage my daughter to lose weight,” said a 60-year-old man from Beijing. “[Jia] “She has a professional team to help her lose weight and she can earn so much money through this process. For us common people, losing weight is much more difficult and sometimes expensive. It’s a process.”
However, some of Douban’s top reviews say that the film did not try to depict “losing weight” but rather how a person can change their life by achieving their dreams. Some said they were trying.
“The purpose of her film was never for her to lose weight… No matter how bad you are as a person, no matter how many mistakes you make, if you find one thing, even if it’s just a little thing, It was to show that even if you do, it’s a very small thing, but you have to stay focused and keep putting your life on the line. You’re going to win, even if it’s just once,” said one review of her Douban, which had more than 20,000 likes.
Film director and actress Jia Lin reignites body image controversy after losing 50kg for new movie
Film director and actress Jia Lin reignites body image controversy after losing 50kg for new movie
Director Gia became the country’s most successful female director in terms of commercial performance.
Her first characteristic is hi mom, a comedy about motherhood and the simple, no-frills love of Chinese people in the 1980s. It was released during the 2021 Lunar New Year holiday period and ultimately grossed 5.41 billion yuan (US$752 million), making it the world’s number one film by a female director by box office revenue through 2020. . barbieThe Greta Gerwig-directed film was released last year.
compared to zia YoroZhang’s film tackles more controversial themes, featuring three semi-fictional cases and Article 20 of the Chinese Penal Code, which touches on the right to self-defense.
In this movie, the three suspects who injured or killed people either acted in self-defense or acted bravely for a good cause. These defendants ultimately had their sentences reduced, waived, or commuted through a review of self-defense provisions under China’s criminal law.
Director Zhang has been one of China’s top film directors since the country’s opening, and the film grossed 700 million yuan (US$97 million) in its four-day run. Article 20. It has a rating of 7.8/10 on Douban with over 70,000 reviews.
The film received a rare review from China’s Supreme People’s Procuratorate under the title “The law is not ruthless logic”, noting that the country’s prosecutorial system carefully weighs claims of assault and self-defense on a case-by-case basis. It is claimed that there is.
“This is not just a case…this is someone else’s life, and we have to weigh other people’s lives in our own hands, and we have to use criminal means very carefully.” said the review on the court’s WeChat account.
The film also sparked a debate about legal awareness and education in China.
Luo Xiang, one of China’s most famous law professors in Beijing, said on his Bilibili channel that his reputation as a legal educator stems from his work on the self-defense provisions of Article 20.
“The public is so hungry for legal knowledge that every popular case is a great opportunity to spread the law,” he said in a video released Monday.
China last year said it would become increasingly selective in sharing court decisions in a public database it established a decade ago, and also created a new archive for court decisions that would provide limited access and information to the public. announced the establishment of two.
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The move is widely seen as a way to reduce the transparency of Chinese court decisions, sparking intense public debate and a backlash from some of the field’s leading academic elites.
Chinese New Year is traditionally an important time for mainland China’s box office, and this year marks the second such opportunity for films since China lifted COVID-19 restrictions.
Cumulative box office revenue on Wednesday reached 5 billion yuan (US$695 million). Yoro Leading role in ticket sales.apart from Yoro and Article 20, Pegasus 2 Directed by Chinese novelist Han Han, emperor of moviesa movie starring Hong Kong actor Andy Lau Tak-wah, is also competing in the holiday movie market.
Last year, box office revenue for the week-long Lunar New Year slot was 6.76 billion yuan.