walk in “Barbie” Another blockbuster based on intellectual property is expected. It’s fun, but it’s superficial and kind of like this: “Super Mario Bros. Movie” or “Detective Pikachu” — Shocks the senses.
Just receiving is a sign that you are operating at a higher level.obtained Critics rating 90% At Rotten Tomatoes, 7.5/10 IMDb and 4.2/5 in letterbox d.
There’s something different about “Barbie.” It has all the fan service and fun of other movies based on toys, games, etc., but with even more depth. It addresses uncomfortable but important social issues. It’s not a movie for children. It’s a mature artistic meditation inside a summer blockbuster.
Still, it’s important to recognize the carefully crafted quality of the film. Each shot is imbued with color and vibrancy, which is a pretty low bar for modern cinema. Complementing the visuals is consistently effective humor, enhanced by polished, perfectly fitted performances.
There’s also a smart directorial touch from Greta Gerwig, who continues to prove her talent for the medium in just her fourth appearance.like “Lady Bird” and “Little Women” “Barbie” has an almost invisible emotional element that connects the viewer to the struggles and triumphs of the main characters.
Thanks to Gerwig’s boldness, Gerwig is surprisingly unafraid to express her ideas. Women empowerment is the basis of this film. To be honest, movies like this Mission As literally stated in the opening scene, it “challenges gender stereotypes and helps undo the prejudices that prevent girls from reaching their full potential.”
There is no defensive language or attempt to dilute this theme in order to appeal to a wider audience. Whether in the male/female dichotomy embodied in both Barbieland and the real world, a childlike, innocent questioning of current gender dynamics, or a weary lament about society’s expectations of women. , “Barbie” pulls no punches.
At first, it’s easy to feel uneasy about the complete lack of ambiguity. For theme-oriented viewers, having morals spelled out in bold type can be off-putting, as if the film is depriving the viewer of intellectual engagement with the story.
But “Barbie” is not interested in detective themes. From the beginning, we aim to confront the sexism that undermines countless areas of life.This film’s backlash is by no means new or revolutionary.;, Although its popularity varies, feminist ideas have existed for decades and centuries, and perhaps throughout history. But they’re rarely portrayed so unashamedly in mainstream Hollywood.
If you have concerns about these bold statements, you should consider those concerns and decide whether it is reasonable to impose them on the film itself.There is no deception on the part of the movie. nOr a hopeful washout of philosophy. Whether you agree with it or not is more important than respecting its integrity.
It would be equally imprudent to observe the uniqueness of the theme and declare “Barbie” a cinematic masterpiece. There’s no doubt that Gerwig has created a hit, but some issues stand out.
First, there’s the extra text in this movie. Two things are true at the same time, and that’s the case in this movie. The script and dialogue are both sharp, overly grandiose, professional and clunky.
The writing is commendable for its moments of exploring societal sexism and the psychology of gender, whether it’s a laugh-out-loud construction site accident or Ken’s first encounter with the various parts of masculinity. But when you have a bunch of flowery words and random sentences whose structure is barely comprehensible, it becomes quite annoying. There’s no intelligence behind these lines, and it’s clear that there’s someone with a thesaurus and little understanding of grammatical efficiency.
In turn, that over-ambition affects the pace.Conclude with the best original song candidate until the climax. “I’m just Ken.” Stories and ideas are expressed at the same precise speed. However, this solution increases the run time by an additional 20 minutes.
Rather than building momentum towards the end, the film just keeps throwing out one theme after another. None of them are individually bad. Frankly, each one could wear a t-shirt, but the whole thing just drags until the end and ends up feeling fluffy. These ideas didn’t necessarily need to be cut, but they might have been more effective if they were evenly integrated into the rest of the film.
Other than these flaws, “Barbie” is rock solid. This is a whole new type of blockbuster, exploring divisive and often serious issues in a light-hearted but conscious tone. Some critics may call this film an all-out political statement, but they disagree. Encouragingly, the film’s reviews seem to suggest that such hasty behavior is limited to a minority.
In the end, this is an important film, if not for its value, then for its dedication to the idea. Not all viewers will be severely affected. But when the end credits are greeted with applause from an audience full of smiling faces from its target demographic, no one can deny that this movie did its job well.